"Ves" dance, the most popular, originated from an ancient purification ritual, the Kohomba Yakuma or Kohomba Kankariya. The dance was propitiatory, never secular, and performed only by males. The elaborate Ves costume, particularly the headgear, is considered sacred and is believed to belong to the deity Kohomba. Only towards the end of the nineteenth century the Ves dancers were first invited to perform outside the precincts of the Kankariya Temple at the annual Kandy Perahera festival. Today the elaborately costumed Ves Dancer symbolize Kandyan dance.
The "Devil Dances" are an attempt to respond to the common belief that certain ailments are caused by unseen hands and that they should be chased away for the patient to get cured. If an individual or a family is not doing well, the village-folk believe that it's because that person or the family is being harassed by unseen hands. A 'Thovil' ceremony is the answer. The 'Thovil' can be a simple ritualistic ceremony at home restricted to family and immediate neighbours or involving the whole village like the 'Gam-Maduva' or the 'Devol-Maduva' which is closely linked to the worship of gods.
Masked dancers take part in at least two of the well-known 'Thovil' ceremonies referred to as the 'Maha Sohon Samayama' and the 'Gara Yakuma'. The mention of 'Maha Sohona' frightens the people since he is believed to be the demon of the graveyards.
The performer disguises himself as a bear and wears a mask and a dress to resemble one. Often the 'Thovil' involves the 'sanni' dances where all the dancers wear masks. The 'Daha Ata Sanniya' refers to sixteen ailments with a demon being responsible for each one of them.Dancers wearing masks take part in processions while at certain ceremonies, masks are used to depict different characters.
There is also in the low country a dance-drama called Kolam in which the performers wear masks depicting animals or people such as kings or high officials, and provides amusement and social satire. It has been suggested by scholars that Kolam may have developed from the ritual known as Sanni Yakuma and had later become a dance-drama independent of ritual elements.
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